Showing posts with label baroque period. Show all posts
Showing posts with label baroque period. Show all posts

Tuesday, March 24, 2015

Bach's Unaccompanied Violin Partitas and Sonatas


     There are pieces that every violinist wants to master and play passionately, I know do. Which ones are at the top of my list? Bach's incredible Unaccompanied Violin Sonatas and Partitas. Here is Nathan Milstein giving a masterful performance.

Bach's Sonatas and Partitas (BWV 1001–1006) are a set of six works rich with emotional variety and depth, complex harmonies, advanced technique and timeless melodies. Bach known as a prodigious organist and harpsichordist was also a violinist from a young age, which if these pieces are any indication, must have been quite the violinist. Some would say that this collection is the peak of polyphonic writing for a non-keyboard instrument and has taken violin technique to new heights as well. Though there were other solo pieces for the violin, Bach's collection was at a whole new level of technique. Those that were first to work on them were said to believe the pieces almost impossible to perform.

Bach started composing this collection in 1703 and finished them around 1720 when he was Kapellmeister in Köthen. Aside from his geographical area, the Western world was only really exposed to them in 1802 when Nikolaus Simrock published them in Bonn. The sonatas follow a four-movement pattern: slow-fast-slow-fast, which was not unusual for the Baroque period. The Partitas on the other hand are unorthodox dance-form movements in their structure, which works well with their improvisatory feel.

For violin students that are interested to start on the Sonatas, make sure that you are in Suzuki Book 6 or something comparable. Most of the pieces will still be very difficult, but some of them will be available to you to work on. Remember that these pieces are not meant to be worked on just once, but throughout your life. Don't give up and the rewards will be great!

Monday, March 16, 2015

Bach's Brandenburg Concertos



     The Münchener Bach-Orchester directed by Karl Richter in J.S. Bach's Brandenburg Concertos. J.S. Bach is known as a great composer and an organist virtuoso, who was a music leader (composer, conductor and accompanist) for the Lutheran church, an orchestra conductor and composer for the Duke of Weimer and for Prince Leopold. In 1721, during his employment for Prince Leopold, Bach wrote six string orchestra concertos called The Brandenburg Concertos dedicated to "His Royal Highness Monseigneur Christian Ludwig, Margrave of Brandenburg."

It all started back in December of 1717 at the age of 32 when Bach was offered the job of Kapellmeister at the Court of Prince Leopold of Anhalt in Cöthen after a month of confinement by his previous employer, the Duke of Weimer. Bach left the Duke for Prince Leopold who loved music and was himself a violinist, harpsichordist and viola da gamba player. After four wonderful years, the prince got married to his cousin, the Princess of Anhalt-Bernburg. Bach and the princess did not like each other, so felt the urgency to seek employment with Christian Lugwig, whom met earlier. So Bach wrote the Margrave Ludwig a letter and sent these six concerti to display his abilities. As far we know, no answer ever came from the Margrave and the pieces were never performed at the Margrave's court.

The six Concerti are three movements each, except for the first concerto which is four movements. The instrumentation is based on the small orchestra that Bach led for Prince Leopold, which why there are some brass, some woodwinds, harpsichord and string orchestra. Each of the concertos has solos from the different sections along with the orchestral style, especially in the First, Third and Sixth Concerto.

Thursday, March 5, 2015

Johann Sebastian Bach: A Passionate Life





     Every month, I talk with my private students about a composer in our lessons. One composer that I have put off until now has been J.S. Bach. He is such a great composer and has influenced my musical life. But this month I am going to introduce my students to Bach, especially since his music is all over the Suzuki books.

As part of my research on a composer I have started looking on Youtube for good biographies and I came upon this one. John Eliot Gardiner has already published a biography on Bach, "Bach-Music in the Castle of Heaven," so this documentary is very interesting.


I have enjoyed the background information on Bach and his family, the pictures of the countryside and all the great music along with it. Check out this great video!

Sunday, October 19, 2014

Antonio Vivaldi: The Finale, Part 3

     In our first post and second post we talked Vivaldi's start in music, which came from his father, and then his career move to teach at the Ospedale della Pieta (the Devout Hospital of Mercy). Where did he take himself towards the end of his life?        

  The Finale

          Vivaldi was loved and very much appreciated but was “beat out” of his music by other more modern composers. Longing for popularity he moved to Vienna, Austria. But instead of what he was looking for, he found himself in poverty because his patron Charles VI died, leaving Vivaldi with nothing to look forward to in Vienna. Sadly, Vivaldi died in poverty on July 28, 1741. Many people had buried him in a simple grave but did so without music in the procession.

          A short time after his death, musicians and scholars including Alfredo Casella, worked to make the Vivaldi revival week in 1939. It was a success and Vivaldi's music, from then on, was played by more and more people. One of his compositions, Gloria, was revived and became widely popular, usually played around Christmas. With over 500 pieces and millions of international fans, Vivaldi ended up having a good profession and life. He influenced and inspired many composers in his lifetime such as Johann SebastianBach. We will always remember the one and only Antonio Lucio Vivaldi as a great man. 


By guest student author: Isha, Suzuki Violin Book 2

Sources
 The Baroque Period – an article

Saturday, October 4, 2014

Antonio Lucio Vivaldi, The Red-Haired Priest, Part 1



Historical Period: Baroque
Nationality: Italian
Born: March 4, 1678 in Italy
Died: July 28, 1741 in Austria
Contemporaries: J.S. Bach, Arcangelo Corelli, Francois Couperin, G.F. Handel, Henry Purcell, Alessandro and Domenico Scarlatti, G.P. Teleman. 
Works: The Four Seasons, Gloria, Stabat mater, cello concertos


 At The Start

     Antonio Vivaldi was born on March 4th, 1678 in Venice, Italy. He was a priest for a short period and then focused on composing and teaching music. He was known to people as “the red haired priest” (il Prete Rosso). Later on, he decided to pursue his passion for music. He created many works and was known for making his music in Baroque style (The Baroque time period was from the 17th and 18th centuries, more here). Vivaldi wrote operas including Bajazet, Motezuma and Orlando Furioso, but was especially known for his concertos.

Vivaldi was very talented from a very young age. His father, Giovanni Battista Vivaldi, taught him to play the violin very well, as his father was a professional violinist himself. At the age of 15 Vivaldi wanted to become a priest in the Catholic church, so he studied to become a priest. He eventually was ordained in 1703
, but he quit the priesthood after health problems got in the way of his duties. So Vivaldi focused on his love of the violin. 

Come back for Part 2 next week!

Guest author: Isha, Suzuki Violin Book 1 student